"Candide / Act II: 22. The Ballad Of Eldorado" by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra, London Symphony Chorus, Simon Joly was released on January 1, 1991. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act II: 22. The Ballad Of Eldorado's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act II: 22. The Ballad Of Eldorado by Leonard Bernstein, Jerry Hadley, London Symphony Orchestra, London Symphony Chorus, Simon Joly is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live | Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann | C Major | 0 | 8B | 104 BPM | ||
Carnival Overture, Op. 92 - Remastered | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 93 BPM | ||
A White House Cantata / Part 1: Ten Miles by the Potomac River | Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | G Major | 1 | 9B | 132 BPM | ||
Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 58 BPM | ||
Symphonie fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 167 BPM | ||
Peter and the Wolf, Op. 67: Poco più andante | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM | ||
La valse | Maurice Ravel, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 112 BPM | ||
A White House Cantata / Part 1: The President Jefferson Sunday Luncheon March | Leonard Bernstein, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | F Major | 4 | 7B | 93 BPM | ||
The National Emblem | Edwin Eugene Bagley, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 124 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM |
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