- BPM
- 104
- Key
- C Major
- Camelot
- 8B
Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live - Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann Information
- Acousticness
- 95%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 1%
- Liveness
- 5%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -29.029 dB
Summary
"Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live" by Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann was released on March 16, 2018. Since Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 38 out of 39 in Bernstein: Mass (Live) by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live BPM
The tempo marking of Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live by Leonard Bernstein, Douglas Butler, Zachary James, Lyn Philistine, Devin Ilaw, Hilary Ginther, Benjamin Krumreig, Julia Burrows, E. Clayton Cornelious, Meredith Lustig, J.D. Webster, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir, Kevin Vortmann is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Mass / XVII. Pax: Communion: b. "Sing God a Secret Song" - Live Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | 4 Dance Episodes from Rodeo: IV. Hoe Down | Aaron Copland, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 134 BPM | |
 | Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | C Minor | 2 | 5A | 114 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | |
 | La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | |
 | Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, Leonard Bernstein, New York Philharmonic | B Major | 2 | 1B | 86 BPM | |
 | Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | |
| 4 Dance Episodes from Rodeo: III. Saturday Night Waltz | Aaron Copland, Leonard Bernstein, New York Philharmonic | E♭ Major | 1 | 5B | 73 BPM | |
 | Mass / II. First Introit (Rondo): I. Prefatory Prayers - Live | Leonard Bernstein, Meredith Lustig, Julia Burrows, Morgan James, Douglas Butler, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, The American Boychoir, Temple University Diamond Marching Band, Student Musicians from the School District of Philadelphia | G Minor | 3 | 6A | 107 BPM |
- ISRC
- DEN961531538
- Label
- L-M Records/RCA Records
Section: 0.9891433715820312
End: 0.996511697769165