"Les arts florissants, H. 487, Scene 2: Sa gloire est un supplice" by Marc-Antoine Charpentier, Jesse Blumberg, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs was released on August 2, 2019. The duration of Les arts florissants, H. 487, Scene 2: Sa gloire est un supplice is about 3 minutes long, at 3:07. Based on our data, "Les arts florissants, H. 487, Scene 2: Sa gloire est un supplice" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 28 in Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487 by Marc-Antoine Charpentier, Teresa Wakim, Virginia Warnken, Jesse Blumberg, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les arts florissants, H. 487, Scene 2: Sa gloire est un supplice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les arts florissants, H. 487, Scene 2: Sa gloire est un supplice by Marc-Antoine Charpentier, Jesse Blumberg, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Charpentier: Te Deum, H. 146: IX. Aeterna fac cum sanctis | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, John Aler, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Concert de Trompettes: 2e Air des Echos | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 2 | 8B | 105 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM |
Section: 0.6025753021240234
End: 0.6066939830780029