Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne made "Concert de Trompettes: 2e Air des Echos" available on September 3, 2015. With Concert de Trompettes: 2e Air des Echos being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Les Arts Florissants, Ensemble Correspondances, William Christie, Sébastien Daucé's "Louis XIV" album is number 21 out of 21. In terms of popularity, Concert de Trompettes: 2e Air des Echos is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concert de Trompettes: 2e Air des Echos by Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Deitatis Majestatem: V. Te omnes angeli | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André Morsch | D Major | 2 | 10B | 130 BPM | ||
Quatuor No. 3 in G Major: VI. Gai | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | F♯ Major | 2 | 2B | 130 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
Exaltabo te, Deus meus Rex, S. 76: No. 3, Generatio et generatio (Remastered 2022) | Michel Richard Delalande, Andre Meurant, Xavier Depraz, Jean-Marie Leclair Instrumental Ensemble, Louis Frémaux | E Major | 2 | 12B | 127 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Overture in C Minor, TWV TWV 55:c4 | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 179 BPM | ||
Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Spagnolette | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 86 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM |
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