David Alagna, Roberto Alagna, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné / Acte I: Le condamné! Ah! Ah! Bonjour! Bonsoir! Adieu, camarade' had a release date set for January 1, 2008. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 17 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Le condamné! Ah! Ah! Bonjour! Bonsoir! Adieu, camarade is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Le condamné! Ah! Ah! Bonjour! Bonsoir! Adieu, camarade by David Alagna, Roberto Alagna, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered | Maria Callas | F Major | 3 | 7B | 86 BPM | ||
Tace Il Labbro T'Amo | F. Lehar - V. Leon - L. Stein - F. Fontana - L. Ramo, Cesare Gallino | G Major | 2 | 9B | 87 BPM | ||
Bellini: Ma rendi pur contento | Vincenzo Bellini, Jorunn Torsheim | E Major | 1 | 12B | 100 BPM | ||
Symphony No. 3, Op. 90 - Excerpt | Orchestre national d'île-de-France | C Minor | 4 | 5A | 69 BPM | ||
Midnight In Moscow | Vasili (Pavlovich) Soloviev-Sedoy, Aida Garifullina, Osipov State Russian Folk Orchestra, Vitaly Gnutov | A Minor | 3 | 8A | 120 BPM | ||
Begin the Beguine | Magdalena Kozená, Ondrej Havelka & His Melody Makers | B♭ Major | 3 | 6B | 119 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
Le dernier jour d'un condamné / Acte I: C'était par une belle matinée d'août | David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson | G Minor | 3 | 6A | 98 BPM |