"Midnight In Moscow" by Vasili (Pavlovich) Soloviev-Sedoy, Aida Garifullina, Osipov State Russian Folk Orchestra, Vitaly Gnutov was released on February 3, 2017. The duration of Midnight In Moscow is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Midnight In Moscow's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 15 in Aida by Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister. Based on our statistics, Midnight In Moscow's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Midnight In Moscow by Vasili (Pavlovich) Soloviev-Sedoy, Aida Garifullina, Osipov State Russian Folk Orchestra, Vitaly Gnutov is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moscow Nights - Arr. for String Orchestra | Vasily Solovyov-Sedoi, Metamorphose String Orchestra, Pavel Lyubomudrov | C Minor | 2 | 5A | 128 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
The Windmills of Your Mind | The Paris Musette | E Minor | 2 | 9A | 151 BPM | ||
Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | E Major | 2 | 12B | 123 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Clair de Lune | OperaBabes | A♭ Major | 7 | 4B | 126 BPM | ||
Kashif: So Deep is the Night (arrangement for Voice, Piano and Strings of Chopin's "Etude in E Major, Op. 10 No. 3, "Tristesse") | Lesley Garrett, Paul Daniel, London Session Orchestra, Zoe Mather | E Major | 1 | 12B | 89 BPM | ||
Waltz No 2 Shostakovich | Zantalino and his Orchestra | D♭ Minor | 5 | 12A | 189 BPM | ||
In the Memory of Mother | Eugen Doga | A Minor | 3 | 8A | 127 BPM |
Section: 0.6858072280883789
End: 0.6909773349761963