Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung's 'L'Arlésienne Suite No. 2: Intermezzo' came out on June 27, 2020. With this song being about 5 minutes long, at 4:44, "L'Arlésienne Suite No. 2: Intermezzo" by Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 41 out of 45 in Bizet: An Introduction by Georges Bizet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'Arlésienne Suite No. 2: Intermezzo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2: Intermezzo by Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM |
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