"Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün" by Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine was released on January 1, 1991. With this song being about 5 minutes long, at 5:03, "Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün" by Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 8 out of 34. In terms of popularity, Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün by Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel! | Christoph Willibald Gluck, Bernarda Fink, René Jacobs, Freiburger Barockorchester | G Major | 0 | 9B | 139 BPM | ||
Schubert: Stabat Mater in F Minor, D. 383: No. 3, Chor. "Liebend neiget er sein Antlitz" | Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | E♭ Major | 1 | 5B | 67 BPM | ||
Symphony No. 3 in G Major, Hob. I:3: I. Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 1 | 9B | 138 BPM | ||
Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": VI. Agnus Dei. Dona nobis pacem | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | C Major | 2 | 8B | 79 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: V. Fecit potentiam | Carl Philipp Emanuel Bach, Geraint Jones, Thomas Hemsley, Geraint Jones Orchestra | E Major | 1 | 12B | 147 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 85 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 125 BPM | ||
Handel: Alcina, HWV 34, Act 2: Aria. "Ah! Mio cor!" (Alcina) | George Frideric Handel, Sir Neville Marriner, Kathleen Battle, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 134 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Versus: Hostias | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | G Minor | 1 | 6A | 104 BPM | ||
Missa Solemnis in D Major, Op. 123: III. Credo: Credo | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 1 | 7A | 136 BPM |
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