"Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel!" by Christoph Willibald Gluck, Bernarda Fink, René Jacobs, Freiburger Barockorchester was released on September 28, 2001. Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel! is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 2 out of 33. Based on our statistics, Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel! by Christoph Willibald Gluck, Bernarda Fink, René Jacobs, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Kyrie | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Minor | 3 | 7A | 111 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink | A Major | 0 | 11B | 97 BPM | ||
Così fan tutte, K. 588: Act 1: Finale, Atto Primo "Ah, Che Tutta In un Momento" - "Si Mora" | Wolfgang Amadeus Mozart, Concerto Köln, Graciela Oddone, Véronique Gens, Marcel Boone, René Jacobs, Bernarda Fink, Werner Güra, Pietro Spagnoli | D Major | 1 | 10B | 97 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Hostias | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 96 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM |
Section: 1.0228075981140137
End: 1.026982069015503