Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio"
Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine
Mozart : Les Noces de Figaro (extraits)
3:05 January 1, 1980
BPM
85
Key
E♭ Major
Camelot
5B

Embed

Share Link

Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" - Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine Information

Acousticness
98%
Danceability
40%
Energy
7%
Instrumentalness
0%
Liveness
5%
Loudness
62%
Speechiness
10%
Valence
8%
Popularity
Loudness
-22.876 dB

Summary

"Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio"" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine was released on January 1, 1980. The duration of Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" is about 3 minutes long, at 3:05. Based on our data, "Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, James Levine, Metropolitan Opera Orchestra's "Mozart : Les Noces de Figaro (extraits)" album is number 6 out of 20. On top of that, Germany appears to be the country where this track was created. Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" BPM

We consider the tempo marking of Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Le nozze di Figaro, K.492 / Act 1: "Non so più cosa son, cosa faccio" Key

The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!"Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James LevineD♭ Minor112A76 BPM
L'elisir d'amore / Act I: L'elisir d'amore / Act I: "Una parola, Adina"Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineB♭ Major06B114 BPM
Die Zauberflöte, K.620 / Act 1: Die Zauberflöte, K.620 / Act 1: "Bei Männern, welche Liebe fühlen"Wolfgang Amadeus Mozart, Dorothea Röschmann, Hanno Müller-Brachmann, Mahler Chamber Orchestra, Claudio AbbadoE♭ Major05B95 BPM
Rossini: Il barbiere di Siviglia, Act 1: Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina)Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier OccitanieF♯ Major12B81 BPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
The Magic Flute, K. 620, Act I: Schnelle Füße, rascher Mut by Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud WinsauerThe Magic Flute, K. 620, Act I: Schnelle Füße, rascher MutWolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud WinsauerD Major110B95 BPM
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio ChorusE Minor29A78 BPM
Eugene Onegin, Op. 24, TH 5 / Act III: (Scene 2) Closing Scene. Eugene Onegin, Op. 24, TH 5 / Act III: (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!"Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James LevineE Minor29A78 BPM
L'elisir d'amore, Act I: L'elisir d'amore, Act I: "Benedette queste carte!"Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James LevineE Major112B102 BPM
La Traviata / Act 2: La Traviata / Act 2: "Un dì, quando le veneri"Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos KleiberD♭ Major13B85 BPM
ISRC
DEF059030406
Label
L-M Records/RCA Records

Section: 0.657731294631958

End: 0.6619644165039062