- BPM
- 136
- Key
- D Minor
- Camelot
- 7A
Missa Solemnis in D Major, Op. 123: III. Credo: Credo - Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien Information
- Acousticness
- 97%
- Danceability
- 16%
- Energy
- 11%
- Instrumentalness
- 64%
- Liveness
- 32%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 9%
- Loudness
- -21.535 dB
Summary
"Missa Solemnis in D Major, Op. 123: III. Credo: Credo" by Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien was released on June 3, 2016. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 11 in Beethoven: Missa Solemnis in D Major, Op. 123 by Ludwig van Beethoven, Nikolaus Harnoncourt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Missa Solemnis in D Major, Op. 123: III. Credo: Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa Solemnis in D Major, Op. 123: III. Credo: Credo BPM
The tempo marking of Missa Solemnis in D Major, Op. 123: III. Credo: Credo by Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Missa Solemnis in D Major, Op. 123: III. Credo: Credo Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Sonata No 21 in C major, Op. 53: I Allegro con brio (extract) | Ludwig van Beethoven, Mikhail Pletnev | A Major | 0 | 11B | 108 BPM | |
 | 8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | |
 | Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | |
 | Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | Centone di sonate, Op. 64, MS 112: Sonata No. 1 in A Minor: II. Rondoncino | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 2 | 11B | 122 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM |
- ISRC
- USSM11603162
- Label
- L-M Records/RCA Records
Section: 0.6253056526184082
End: 0.632150411605835