"Set No. 10 of 3 Pieces for Chamber Orchestra (Arr. for Chamber Orchestra by James Sinclair): III. Adagio "The Indians"" by Charles Ives, Orchestra New England, James Sinclair was released on June 9, 2023. The duration of Set No. 10 of 3 Pieces for Chamber Orchestra (Arr. for Chamber Orchestra by James Sinclair): III. Adagio "The Indians" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Set No. 10 of 3 Pieces for Chamber Orchestra (Arr. for Chamber Orchestra by James Sinclair): III. Adagio "The Indians"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Ives, Orchestra New England, James Sinclair's "Ives: Complete Sets for Chamber Orchestra" album is number 36 out of 39. On top of that, Hong Kong appears to be the country where this track was created. Set No. 10 of 3 Pieces for Chamber Orchestra (Arr. for Chamber Orchestra by James Sinclair): III. Adagio "The Indians" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Set No. 10 of 3 Pieces for Chamber Orchestra (Arr. for Chamber Orchestra by James Sinclair): III. Adagio "The Indians" by Charles Ives, Orchestra New England, James Sinclair to be Grave (very slow) because the track has a tempo of 43 BPM, a half-time of 22BPM, and a double-time of 86 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
String Quartet No. 1, Sz. 40: I. Lento | Béla Bartók, Heath Quartet | D♭ Major | 2 | 3B | 133 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM |
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