13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto
Sergei Rachmaninoff, Robert Wells
Close Up Classics
4:45 March 15, 2011
BPM
68
Key
D♭ Major
Camelot
3B

Embed

Share Link

13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto - Sergei Rachmaninoff, Robert Wells Information

Acousticness
95%
Danceability
20%
Energy
16%
Instrumentalness
91%
Liveness
14%
Loudness
65%
Speechiness
4%
Valence
3%
Popularity
Loudness
-21.075 dB

Summary

"13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto" by Sergei Rachmaninoff, Robert Wells was released on March 15, 2011. With this song being about 5 minutes long, at 4:45, "13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto" by Sergei Rachmaninoff, Robert Wells is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 13 in Close Up Classics by Robert Wells. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. 13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto BPM

The tempo marking of 13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto by Sergei Rachmaninoff, Robert Wells is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto Key

This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ravel: Pavane pour une infante défunte, M. 19 by Maurice Ravel, Monique HaasRavel: Pavane pour une infante défunte, M. 19Maurice Ravel, Monique HaasE Minor09A101 BPM
Jazz Suite No. 2: 4. Waltz I by Dmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyJazz Suite No. 2: 4. Waltz IDmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyB♭ Major26B178 BPM
Bagatelles et impromptus: VII. Love by Bedřich Smetana, William HowardBagatelles et impromptus: VII. LoveBedřich Smetana, William HowardA Major011B71 BPM
L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov) by Georges Bizet, Olga Kern, Sergei RachmaninoffL'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov)Georges Bizet, Olga Kern, Sergei RachmaninoffD Minor17A135 BPM
Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievSouvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann)Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievE♭ Major15B178 BPM
Elégie in C minor Op. 24 - 1995 Remastered Version by Gabriel Fauré, Jacqueline du PréElégie in C minor Op. 24 - 1995 Remastered VersionGabriel Fauré, Jacqueline du PréA♭ Major04B90 BPM
6 Moments musicaux, Op. 16: No. 3, Andante cantabile by Sergei Rachmaninoff, Boris Giltburg6 Moments musicaux, Op. 16: No. 3, Andante cantabileSergei Rachmaninoff, Boris GiltburgB Minor010A103 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Nocturnes n°4 en ut mineur by Francis Poulenc, Alexandre TharaudNocturnes n°4 en ut mineurFrancis Poulenc, Alexandre TharaudC Major08B73 BPM
ISRC
SEVOZ1001510
Label
L-M Records/RCA Records

Section: 0.9204330444335938

End: 0.9274098873138428