"13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto" by Sergei Rachmaninoff, Robert Wells was released on March 15, 2011. With this song being about 5 minutes long, at 4:45, "13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto" by Sergei Rachmaninoff, Robert Wells is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 13 in Close Up Classics by Robert Wells. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. 13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 13 Preludes, Op. 32: 13 Preludes, Op. 32: No. 2 in B-Flat Minor: Allegretto by Sergei Rachmaninoff, Robert Wells is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov) | Georges Bizet, Olga Kern, Sergei Rachmaninoff | D Minor | 1 | 7A | 135 BPM | ||
Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
6 Moments musicaux, Op. 16: No. 3, Andante cantabile | Sergei Rachmaninoff, Boris Giltburg | B Minor | 0 | 10A | 103 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM |
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