"Offertoria totius anni: Exaltabo te" by Giovanni Pierluigi da Palestrina, Voices of Ascension Chorus, Dennis Keene was released on January 1, 1994. The duration of Offertoria totius anni: Exaltabo te is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Offertoria totius anni: Exaltabo te's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Choral Music - Palestrina, G. / Josquin Des Prez / Viadana, L. / Viadana, L. / Victoria, T. / Byrd, W. (Beyond Chant Mysteries of the Renaissance) by Voices of Ascension Chorus, Dennis Keene. Based on our statistics, Offertoria totius anni: Exaltabo te's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Offertoria totius anni: Exaltabo te by Giovanni Pierluigi da Palestrina, Voices of Ascension Chorus, Dennis Keene is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Gabriel archangelus, motet à 4 | Francisco Guerrero, Ensemble La Sestina, Adriano Giardina | F Minor | 2 | 4A | 105 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Missa Brevis: Benedictus (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | E Major | 1 | 12B | 96 BPM | ||
Lamentations II for Good Friday "In Parasceve": Lectio I: No. 10, Jerusalem, Jerusalem | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM |
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