"Evening Service in B Minor, Op. 6: I. Magnificat" by T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne was released on November 17, 1995. With this song being about 5 minutes long, at 4:53, "Evening Service in B Minor, Op. 6: I. Magnificat" by T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bristol Cathedral Choir, Ian Ball, Christopher Brayne's "Magnificat & Nunc dimittis, Vol. 5" album is number 1 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Evening Service in B Minor, Op. 6: I. Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening Service in B Minor, Op. 6: I. Magnificat by T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude on St. Kilda | T. Tertius Noble, John Scott Whiteley | F Minor | 2 | 4A | 120 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Vexilla regis | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | F Major | 0 | 7B | 82 BPM | ||
Drömmarna | Accentus, Eric Ericson | E♭ Major | 1 | 5B | 99 BPM | ||
Messe brève No. 7: III. Sanctus | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | B Major | 4 | 1B | 104 BPM | ||
Mass No.2 in G Major, D.167: I. Kyrie | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
The Vagabond | John Ireland, Roderick Williams, Iain Burnside | A♭ Major | 0 | 4B | 0 BPM | ||
Eisenach "Thou Hallowed Chosen Morn of Praise" | Bartholomäus Gesius, Gloucester Cathedral Choir, Ian Ball, David Briggs | E♭ Major | 1 | 5B | 78 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of St. John's College, Cambridge, George Guest | E♭ Minor | 1 | 2A | 79 BPM |
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