"Lamentations II for Good Friday "In Parasceve": Lectio I: No. 10, Jerusalem, Jerusalem" by Giovanni Pierluigi da Palestrina, Cinquecento was released on November 1, 2019. With Lamentations II for Good Friday "In Parasceve": Lectio I: No. 10, Jerusalem, Jerusalem being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 73 in the song's album "Palestrina: Lamentations for Easter II". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United Kingdom. Lamentations II for Good Friday "In Parasceve": Lectio I: No. 10, Jerusalem, Jerusalem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lamentations II for Good Friday "In Parasceve": Lectio I: No. 10, Jerusalem, Jerusalem by Giovanni Pierluigi da Palestrina, Cinquecento having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Pueri concinite | Jacobus Gallus, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 69 BPM | ||
I Would Live in Your Love | Nathan Jones, Westminster Choir, Joe Miller | B♭ Major | 0 | 6B | 121 BPM | ||
In odorem - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 1. Osculetur me osculo oris sui: Antiphon: In odorem - Osculetur me | Giovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert | D♭ Minor | 1 | 12A | 74 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
Otche Nach | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | ||
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM |
Section: 0.5505304336547852
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