"Der Mensch lebt und bestehet nur eine kleine Zeit" by Max Reger, Vienna Chamber Choir, Michael Grohotolsky was released on 2014. The duration of Der Mensch lebt und bestehet nur eine kleine Zeit is about 3 minutes long, at 3:14. Based on our data, "Der Mensch lebt und bestehet nur eine kleine Zeit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "O crux. Chormusik zur Passions- und Osterzeit aus fünf Jahrhunderten. Five centuries of choral music for Holy Week and Eastertide". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Austria. In terms of popularity, Der Mensch lebt und bestehet nur eine kleine Zeit is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Der Mensch lebt und bestehet nur eine kleine Zeit by Max Reger, Vienna Chamber Choir, Michael Grohotolsky having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Vier ernste Gesänge: O Tod, wie bitter bist du, Op. 121/3 | Johannes Brahms, Max Reger, Igor Levit | E Major | 0 | 12B | 67 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Hymnus für 12 Violoncelli, Op. 57 | Julius Klengel, Peter Bruns, Martina Biondi, Carmen Dreßler, Timothy Hopkins, Jungin Huh, Moritz Klauk, Elisabeth Kogan, Angèle Legasa, Lukas Plag, Nerea Sorozábal, Friedrich Thiele, Fermin Villanueva, Margarethe Vogler, Dana de Vries | G Major | 1 | 9B | 89 BPM | ||
Charterhouse Suite: I. Prelude | Ralph Vaughan Williams, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 2 | 9A | 72 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Pierné: Pièce, Op. 5 | Gabriel Pierné, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 95 BPM |
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