Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt made "Carmina Burana - Fortuna Imperatrix Mundi: "O Fortuna"" available on January 1, 1991. The duration of Carmina Burana - Fortuna Imperatrix Mundi: "O Fortuna" is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Carmina Burana - Fortuna Imperatrix Mundi: "O Fortuna"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Based on our statistics, Carmina Burana - Fortuna Imperatrix Mundi: "O Fortuna"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana - Fortuna Imperatrix Mundi: "O Fortuna" by Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Romeo et Juliette, Op. 64 (Excerpts): No. 8, Interlude | Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony | C Major | 0 | 8B | 71 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 0 | 4A | 64 BPM | ||
Messa da Requiem: 2a. Dies irae | Giuseppe Verdi, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Minor | 4 | 5A | 77 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Un bel dì vedremo (Butterfly) | Giacomo Puccini, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 2 | 2B | 60 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Carmina Burana - 1. Primo vere: "Ecce gratum" | Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | F Major | 2 | 7B | 75 BPM |
Section: 0.6213994026184082
End: 0.6254644393920898