- BPM
- 87
- Key
- G Minor
- Camelot
- 6A
Stabat Mater - Ed. Smith: 2. O quam tristis - Giovanni Bononcini, Felicity Palmer, London Philharmonic Orchestra, George Guest Information
- Acousticness
- 97%
- Danceability
- 18%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 32%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 1%
- Loudness
- -18.922 dB
Summary
"Stabat Mater - Ed. Smith: 2. O quam tristis" by Giovanni Bononcini, Felicity Palmer, London Philharmonic Orchestra, George Guest had its release date on March 7, 1978. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Stabat Mater - Ed. Smith: 2. O quam tristis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. Stabat Mater - Ed. Smith: 2. O quam tristis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat Mater - Ed. Smith: 2. O quam tristis BPM
The tempo marking of Stabat Mater - Ed. Smith: 2. O quam tristis by Giovanni Bononcini, Felicity Palmer, London Philharmonic Orchestra, George Guest is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Stabat Mater - Ed. Smith: 2. O quam tristis Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | |
 | Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | |
 | Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | |
 | Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | |
 | Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | |
 | Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | |
| Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | |
 | Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | |
 | Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles Licht | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records