"Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"" by Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1969. Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #13. In terms of popularity, Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" by Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act II: "Was verlangst du?" | Richard Wagner, Régine Crespin, Josephine Veasey, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 85 BPM | ||
Bizet: Carmen: Je dis que rien ne m'epouvante - Act Three | Georges Bizet, Kiri Te Kanawa, José van Dam, Plácido Domingo | G Minor | 2 | 6A | 72 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) | Georges Prêtre, Régine Crespin | A♭ Major | 1 | 4B | 87 BPM | ||
Bizet: Carmen: La cloche a sonne - Act One | Georges Bizet, Covent Garden Chorus | E Major | 2 | 12B | 58 BPM | ||
Les nuits d'été, Op.7: 5. Au cimetière (claire de lune) | Hector Berlioz, Régine Crespin, L'Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Major | 1 | 3B | 86 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" | Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
La Courte Paille, FP 178: 6. Le Carafon | Francis Poulenc, Régine Crespin, John Wustman | E Minor | 0 | 9A | 82 BPM | ||
L'Omnibus automobile | Erik Satie, Philippe Entremont, Régine Crespin | B♭ Major | 1 | 6B | 168 BPM |
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