Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) - Georges Prêtre, Régine Crespin Information

Acousticness: 94%
Danceability: 24%
Energy: 11%
Instrumentalness: 0%
Liveness: 11%
Loudness: 71%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -17.477 dB

Summary

"Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream)" by Georges Prêtre, Régine Crespin was released on 2004. Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There is only one song in 100 Best Opera Classics, so we believe that "Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream)" is a single. Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) BPM

The tempo marking of Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) by Georges Prêtre, Régine Crespin is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Lohengrin, ACT 1: Einsam in trüben Tagen (Elsa's Dream) Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne	Camille Saint-Saëns, Robert Cordier, Georges Prêtre	C Major	4	8B	97 BPM
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon)	Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny	F♯ Major	1	2B	63 BPM
La Cenerentola: Overture (Sinfonia)	Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly	A Minor	1	8A	116 BPM
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix.	Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas	D♭ Major	1	3B	81 BPM
La Gioconda, acte 4: La danse des heures	Amilcare Ponchielli, Slovenska Filharmonija, Kurt Redel	E Major	0	12B	136 BPM
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar"	Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine	F Major	0	7B	97 BPM
Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours!	Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra	D Major	3	10B	75 BPM
Life and Works: Rusalka (Act I: Song to the Moon)	Sean Barrett	F♯ Major	0	2B	126 BPM
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)	Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants	F♯ Minor	0	11A	80 BPM
Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson)	Camille Saint-Saëns, Georges Prêtre, Jon Vickers, Rita Gorr, Orchestre du Théâtre National de l'Opéra de Paris	B♭ Minor	3	3A	105 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6704909801483154

End: 0.6807427406311035