"Den die Hirten lobeten sehre" by Thomanerchor Leipzig, Hans-Joachim Rotzsch was released on February 21, 2014. The duration of Den die Hirten lobeten sehre is about 3 minutes long, at 3:08. Based on our data, "Den die Hirten lobeten sehre" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weihnachten mit dem Thomanerchor by Thomanerchor Leipzig, Hans-Joachim Rotzsch. The song's track number on the album is #7 out of 30 tracks. Den die Hirten lobeten sehre is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Den die Hirten lobeten sehre by Thomanerchor Leipzig, Hans-Joachim Rotzsch has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Den die Hirten lobeten sehre being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
O Haupt voll Blut und Wunden, MWV A 8: III. Ich will hier bei dir stehen | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Stuttgart Chamber Orchestra, Kammerchor Stuttgart, Frieder Bernius | C Minor | 2 | 5A | 131 BPM | ||
Bwv 645: Wachet Auf, Ruft Uns Die Stimme | Ton Koopman | E Major | 0 | 12B | 161 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415) | Heinrich Schütz, Ruth Holton, Carol Hall, Michael Chance, Frieder Lang, Lawrence Wallington, Simon Birchall, His Majestys Sagbutts & Cornetts, English Baroque Soloists, John Eliot Gardiner, Alastair Ross, The Monteverdi Choir | A Minor | 0 | 8A | 100 BPM |
Section: 0.621776819229126
End: 0.6260817050933838