"O Haupt voll Blut und Wunden, MWV A 8: III. Ich will hier bei dir stehen" by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Stuttgart Chamber Orchestra, Kammerchor Stuttgart, Frieder Bernius was released on July 1, 1999. The duration of O Haupt voll Blut und Wunden, MWV A 8: III. Ich will hier bei dir stehen is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. O Haupt voll Blut und Wunden, MWV A 8: III. Ich will hier bei dir stehen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Stuttgart Chamber Orchestra, Kammerchor Stuttgart, Frieder Bernius's "Mendelssohn: Verleih uns Frieden. Kirchenwerke VI" album is number 7 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, O Haupt voll Blut und Wunden, MWV A 8: III. Ich will hier bei dir stehen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Haupt voll Blut und Wunden, MWV A 8: III. Ich will hier bei dir stehen by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Stuttgart Chamber Orchestra, Kammerchor Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM |
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