"O Sacrum Convivium (Live): O sacrum convivium" by Olivier Messiaen, The Cambridge Singers, John Rutter was released on November 1, 1995. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Cambridge Singers, John Rutter's "Images Of Christ" album is number 21 out of 21. O Sacrum Convivium (Live): O sacrum convivium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Sacrum Convivium (Live): O sacrum convivium by Olivier Messiaen, The Cambridge Singers, John Rutter to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mutations from Bach | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 92 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Suite: III. Drifting, Cascading | Jane Stanley, Jacqueline Shave, Simon Smith | F Major | 1 | 7B | 83 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Cuatro piezas españolas: I. Aragonesa. Allegro | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM | ||
Préludes / Book 1, L.117: 2. Voiles | Claude Debussy, Pierre-Laurent Aimard | C Minor | 0 | 5A | 138 BPM | ||
3 Little Pieces, Op. 11: III. Ausserst ruhig | Anton Webern, Fred Sherry, Christopher Oldfather | D♭ Major | 0 | 3B | 0 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM |
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