"Magnificat, H. 80" by Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations was released on August 25, 2014. Since Magnificat, H. 80 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 46 in Charpentier à la chapelle royale de Versailles by Marc-Antoine Charpentier, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Magnificat, H. 80 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat, H. 80 by Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Médée, H. 491, Act II: Récit. "Médée eut sur votre âme" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Judith van Wanroij | G Major | 1 | 9B | 125 BPM | ||
La descente d'Orphée aux enfers, H. 488, Act II: Vous partez donc, Orphée | Marc-Antoine Charpentier, Kevin Skelton, Guillaume Gutierrez, Virgile Ancely, Ensemble Desmarest, Unknown Artist, Ronan Khalil | C Major | 2 | 8B | 83 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM | ||
In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM |
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