Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin's 'In convertendo Dominus' came out on January 1, 1997. The duration of In convertendo Dominus is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. In convertendo Dominus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Les menus plaisirs Versailles" album is number 1 out of 20. Based on our statistics, In convertendo Dominus's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of In convertendo Dominus by Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Concerti grossi, Op.6 - Concerto grosso in D major, Op. 6, No. 5: 6. Menuet: Un poco larghetto | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | D♭ Major | 1 | 3B | 132 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 142 BPM | ||
Pièces à deux violes du Premier Livre, suite en ré mineur: VI. Gavotte (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 175 BPM | ||
Cello Concerto In C Major, Hob.VIIb:1: 1. Moderato | Joseph Haydn, Christophe Coin, Academy of Ancient Music, Christopher Hogwood | C Major | 1 | 8B | 62 BPM | ||
Oratorio sopra l’immaculata conceptione della B. vergine [SDB.56]: IX. Trio : Victor retunde Tartarum | Sébastien de Brossard, Vincent Bouchot, La Rêveuse, Isabelle Druet, Benjamin Perrot, Eugénie Warnier | F Minor | 1 | 4A | 168 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, III. Allegro ma non troppo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | E Major | 1 | 12B | 104 BPM | ||
Trio Sonata for Flute, Violin and Continuo in B minor, Op.2, No. 1, HWV 386b: 3. Largo | George Frideric Handel, Lisa Beznosiuk, Simon Standage, Anthony Pleeth, Trevor Pinnock | D♭ Major | 0 | 3B | 99 BPM | ||
Sonata for Cello and Continuo in B flat, R.46: 4. Corrente (Allegro) | Antonio Vivaldi, Christophe Coin, Ageet Zweistra, Tom Finucane, Christopher Hogwood | E Major | 0 | 12B | 141 BPM |
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