"Schumann: Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft" by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas was released on November 10, 2017. Since Schumann: Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Schumann: Symphonies Nos. 1-4". In this album, this song's track order is #17. Based on our statistics, Schumann: Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Lyric pieces Op. 68: I. Evening in the Mountains: Andantino | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marten Larsson | D Minor | 2 | 7A | 140 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Debussy: Cello Sonata in D Minor, L. 135: I. Prologue | Claude Debussy, Bertrand Chamayou | D Minor | 0 | 7A | 171 BPM | ||
24 Preludes, Op. 11: No. 22 in G Minor | Alexander Scriabin, Evgeny Zarafiants | G Minor | 0 | 6A | 72 BPM | ||
6 Chants polonais, S. 480: No. 1, Madchens Wunsch (Zyczenie, the Maiden's Wish) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Major | 1 | 9B | 108 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: I. Moderato | Sergei Prokofiev, Gidon Kremer, Martha Argerich | F♯ Major | 1 | 2B | 89 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM |
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