"Concerto Grosso Nr. 2, B-Dur, op. 3: II. Largo" by Orchestra da Camera Dell'Arte, Luigi Zanetti was released on September 28, 1998. The duration of Concerto Grosso Nr. 2, B-Dur, op. 3: II. Largo is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Concerto Grosso Nr. 2, B-Dur, op. 3: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra da Camera Dell'Arte, Luigi Zanetti's "Georg Friedrich Händel: Concerto Grosso Nr. 26, No. 2, No. 12 & Halleluja From " The Messiah "" album is number 8 out of 17. Concerto Grosso Nr. 2, B-Dur, op. 3: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso Nr. 2, B-Dur, op. 3: II. Largo by Orchestra da Camera Dell'Arte, Luigi Zanetti to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito | Charles Avison, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 122 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 3. Allegro | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | D Minor | 4 | 7A | 106 BPM | ||
" Der Messias " : Halleluja | Orchestra da Camera Dell'Arte, Luigi Zanetti | D Major | 4 | 10B | 97 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM | ||
Les fêtes de Polymnie: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 0 | 3B | 67 BPM | ||
Concerto For Oboe In D Minor: I. Andante e spiccato | Alessandro Marcello, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 71 BPM | ||
Concierto Para Flauta En Fa Mayor Op 10/5. Allegro II | Filarmónica Y Coro De Praga | F Major | 1 | 7B | 106 BPM |
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