Charles Avison, The English Concert, Trevor Pinnock made "Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito" available on January 1, 1985. The duration of Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito is about 3 minutes long, at 3:07. Based on our data, "Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Pachelbel: Canon & Gigue / Handel: The Arrival of the Queen of Sheba". In this album, this song's track order is #12. Based on our statistics, Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito by Charles Avison, The English Concert, Trevor Pinnock having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 1 | 8A | 76 BPM | ||
Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 1. Sinfonia spirituosa | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 125 BPM | ||
Concerto con molti stromenti in C Major, R. 558: III. Allegro | Antonio Vivaldi, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 112 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Symphony in F Major, J-C 36: I. Presto | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | F Major | 1 | 7B | 75 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: II. Allemanda | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 133 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Sonata In D For Violin And Continuo: Allegro - Adagio - Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 3 | 10B | 92 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM |
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