"Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio" by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach was released on March 23, 1998. With this song being about 5 minutes long, at 5:17, "Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio" by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach : Concertos For Two, Three And Four Harpsichords" album is number 11 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Concerto for 4 Harpsichords in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Nicole Hostettler, Leonore Klinckerfus, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | G Major | 1 | 9B | 109 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Oboe Sonata in f major, HWV 363a: 5. Menuetto | George Frideric Handel, Academy of St. Martin in the Fields, Neil Black, Graham Sheen, George Malcolm | A Major | 1 | 11B | 79 BPM |
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