John Stainer, Choir of St Mary's Cathedral, Edinburgh, Liam Bonthrone, Arthur Bruce, Charles Marshall, Imogen Morgan, Duncan Ferguson's 'The Crucifixion: II. The Agony' came out on March 29, 2024. The Crucifixion: II. The Agony is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Stainer: The Crucifixion". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The Crucifixion: II. The Agony is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: II. The Agony by John Stainer, Choir of St Mary's Cathedral, Edinburgh, Liam Bonthrone, Arthur Bruce, Charles Marshall, Imogen Morgan, Duncan Ferguson having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
I Will Magnify Thee, O Lord (Psalm 30) | James Turle, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | D Major | 1 | 10B | 67 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Be Still and Know | John L. Bell, The Cathedral Singers | D Major | 3 | 10B | 69 BPM | ||
Three Songs: No. 2, Quand les hommes vivront d'amour | Philip Glass, The Elysian Singers | C Major | 2 | 8B | 134 BPM | ||
Ride On, Ride On In Majesty | Easter Hymns Band | B♭ Major | 3 | 6B | 90 BPM | ||
Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ) | Charles William Everest, Felix Mendelssohn, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis | A♭ Major | 1 | 4B | 80 BPM |
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