"Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ)" by Charles William Everest, Felix Mendelssohn, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis was released on January 9, 2004. The duration of Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ) is about 3 minutes long, at 3:05. Based on our data, "Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "The Complete New English Hymnal, Vol. 17". In this album, this song's track order is #2. Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ) by Charles William Everest, Felix Mendelssohn, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Be Thou My Vision | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 1 | 5B | 138 BPM | ||
To God Be the Glory | Harvard University Choir | G Major | 2 | 9B | 105 BPM | ||
Da solen påskemorgen kom | Jørgen Sørensen, Thisted Kirkes Drenge Mandskor, Preben Nørgaard Christensen | F Major | 1 | 7B | 74 BPM | ||
At the Name of Jesus | Christopher Walker, Caroline Maria Noel | G Major | 3 | 9B | 129 BPM | ||
Ave Sacer Christi Sanguis | Lauren Moore, CMI | F Minor | 0 | 4A | 57 BPM | ||
Be Still, My Soul | Jean Sibelius | E♭ Major | 2 | 5B | 78 BPM | ||
Lord Speak To Me That I May Speak | St. Michael's Choir | G Major | 1 | 9B | 103 BPM | ||
Psalm 139 to 'Highland Cathedral' (A Capella) | The Psalms Sung | E Major | 2 | 12B | 96 BPM | ||
For All Thy Saints, O Lord | Charles Lockhart, Durham Cathedral Choir, Ian Shaw, James Lancelot | E♭ Major | 0 | 5B | 75 BPM | ||
Hosanna, Loud Hosanna - Palm Sunday | Gesangbuch der H.W.K. Hofkapelle, William Neil | F Major | 2 | 7B | 81 BPM |
Section: 0.6127896308898926
End: 0.6165666580200195