"Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei" by Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly was released on January 12, 2024. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Philip Stopford: Sacred Choral Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei by Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Huron Carol | Sofia Kammarkör, Henrik Arlestrand, Robert B. Anderson | G Minor | 1 | 6A | 81 BPM | ||
Bread And Chicory | Voices From Heaven | C Minor | 9 | 5A | 100 BPM | ||
Beginning of Easter Liturgy: Amen, Christ Is Risen | Axios Men's Ensemble, Michael Zaugg, Pro Coro Canada, Boyan Ensemble of Kyiv | E♭ Minor | 1 | 2A | 161 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Mass for Four Voices: II. Gloria in excelsis | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | F♯ Minor | 1 | 11A | 81 BPM | ||
O Clap Your Hands | Philip Stopford, Choir of St Luke's, Chelsea, Rupert Jeffcoat, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana | Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-Williams | D Major | 0 | 10B | 85 BPM | ||
Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | ||
Ave Maria, CG 89a (After J.S. Bach) [Arr. for Voice & Piano] | Charles Gounod, Lynda Barrett, Philip Stopford | D♭ Major | 1 | 3B | 132 BPM |
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