- BPM
- 131
- Key
- F Major
- Camelot
- 7B
Vesprae solennes de Confessore: Laudate Dominum - Chor und Orchester von St. Augustin, Robert Rieder Information
- Acousticness
- 97%
- Danceability
- 19%
- Energy
- 17%
- Instrumentalness
- 3%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 0%
- Loudness
- -20.615 dB
Summary
"Vesprae solennes de Confessore: Laudate Dominum" by Chor und Orchester von St. Augustin, Robert Rieder was released on February 15, 2012. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "St. Augustin - Krönungsmesse". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Austria. Based on our statistics, Vesprae solennes de Confessore: Laudate Dominum's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vesprae solennes de Confessore: Laudate Dominum BPM
With Vesprae solennes de Confessore: Laudate Dominum by Chor und Orchester von St. Augustin, Robert Rieder having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Vesprae solennes de Confessore: Laudate Dominum Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | |
 | Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | |
 | Credo-Messe - Agnus Dei in C-Dur, KV. 257 'Missa' | Chor und Orchester von St. Augustin, Alfred Sramek, Noriko Sasaki, Hans Reinprecht, Lioba Braun, Wolfram Koloseus | C Major | 1 | 8B | 122 BPM | |
 | Elijah, Op. 70: "For He Shall Give His Angels" (Double Quartet) | Felix Mendelssohn, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, Richard Rowntree, Robert Davies, William Gaunt, Susan Gilmour Bailey, Paul McCreesh | G Major | 2 | 9B | 92 BPM | |
 | Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Hostias | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 96 BPM | |
 | Misatango, Misa a Buenos Aires: I. Kyrie | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 90 BPM | |
 | Quoniam tu solus sanctus | Norbert Ernst, Robert Rieder, Josef Wagner, Chor und Orchester von St. Augustin | E♭ Major | 1 | 5B | 132 BPM | |
 | The Lord is a sun and a shield: No. 5, Chorus "Blessed be the Lord God of Israel" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Minor | 1 | 8A | 84 BPM | |
 | Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM |
- ISRC
- ATP131200911
- Label
- L-M Records/RCA Records
Section: 0.6085414886474609
End: 0.6147892475128174