"Quoniam tu solus sanctus" by Norbert Ernst, Robert Rieder, Josef Wagner, Chor und Orchester von St. Augustin was released on January 31, 2012. With Quoniam tu solus sanctus being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "St. Augustin - Messa di Gloria". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Austria. Based on our statistics, Quoniam tu solus sanctus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quoniam tu solus sanctus by Norbert Ernst, Robert Rieder, Josef Wagner, Chor und Orchester von St. Augustin having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 82 BPM | ||
Mass No. 1 in D Minor, WAB 26: Benedictus | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, Eike Wilm Schulte, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Grande Messe en ut mineur, K. 427: Jesu Christe | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Die Meistersinger von Nürnberg, WWV 96, Act I: Da bin ich; wer ruft | Richard Wagner, Klaus Florian Vogt, Norbert Ernst, Michaela Kaune, Carola Guber, Bayreuth Festival Orchestra, Sebastian Weigle | C Major | 1 | 8B | 69 BPM | ||
Exsultate, jubilate, K. 165: I. Allegro. Exsultate, jubilate | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | F Major | 2 | 7B | 130 BPM | ||
Galliard the Teares of the Muses | The Royal Wind Music | A♭ Minor | 0 | 1A | 73 BPM | ||
Marianische Antiphon: Regina coeli | Wolfgang Amadeus Mozart, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Norbert Ernst, Annely Peebo, Marcus Pelz, Regine Hangler | C Major | 4 | 8B | 82 BPM |
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