"Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo" by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis was released on March 8, 2001. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francois-Joseph Gossec's "Gossec: Grande Messe Des Morts / Symphonie A 17 Parties" album is number 4 out of 28. Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aci, Galatea e Polifemo, HWV 72: Duetto: Sorge il di (Aci, Galatea) | George Frideric Handel, Roberta Invernizzi, Blandine Staskiewicz, Lisandro Abadie, Fabio Bonizzoni, La Risonanza | A♭ Minor | 2 | 1A | 120 BPM | ||
L'Olimpiade, RV 725, Act III, Scene 7: Recitativo | Antonio Vivaldi, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo, Roberta Invernizzi, Riccardo Novaro, Sergio Foresti | B♭ Minor | 0 | 3A | 70 BPM | ||
Dixit Dominus (Salmo 109), RV 594: VIII. De torrente in via | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Roberta Invernizzi | E Minor | 1 | 9A | 120 BPM | ||
Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM | ||
Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
Gentil Donna Mia (Arr. for Voice & Chamber Ensemble) | Vincenzo Ruffo, Roberta Invernizzi, Accademia Strumentale Italiana | F Minor | 0 | 4A | 129 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Chiamo il mio ben così ... Piango il mio ben così" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 89 BPM | ||
Gloria in D Major, RV 589 (Rev. Negri): IX. Qui tollis peccata mundi | Antonio Vivaldi, Olga Hegedus, Rodney Slatford, John Constable, John Alldis Choir, English Chamber Orchestra, Vittorio Negri | D Major | 3 | 10B | 135 BPM | ||
Suite Vasca, Op. 5: II. Kunkun | Maite Arruabarrena, Sociedad Coral de Bilbao | D Minor | 0 | 7A | 80 BPM | ||
Anchor che col partire | Cipriano de Rore, Roberta Invernizzi, Accademia Strumentale Italiana | C Major | 2 | 8B | 116 BPM |
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