Wolfgang Amadeus Mozart, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Norbert Ernst, Annely Peebo, Marcus Pelz, Regine Hangler's 'Marianische Antiphon: Regina coeli' had a release date set for September 5, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Norbert Ernst, Rita-Lucia Schneider, Axel Kircher, Annely Peebo, Marcus Pelz, Ingrid Haselberger, Regine Hangler, Martin Maier's "Missa Solemnis" album is number 16 out of 16. On top of that, Austria appears to be the country where this track was created. Marianische Antiphon: Regina coeli is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marianische Antiphon: Regina coeli by Wolfgang Amadeus Mozart, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Norbert Ernst, Annely Peebo, Marcus Pelz, Regine Hangler to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento In D Major KV 334: Menuetto | Florian Heyerick, Hca, Jacob Händel, Schwetzingen, Olga Nodel, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim | D Major | 1 | 10B | 148 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |