Heinrich Wilhelm Ernst, Vilde Frang's 'Ernst: Grand Caprice, Op. 26 (After Schubert's "Der Erlkönig", D. 328)' came out on November 15, 2019. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Paganini & Schubert: Works for Violin & Piano". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ernst: Grand Caprice, Op. 26 (After Schubert's "Der Erlkönig", D. 328) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ernst: Grand Caprice, Op. 26 (After Schubert's "Der Erlkönig", D. 328) by Heinrich Wilhelm Ernst, Vilde Frang having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie, Op. 30 | Henri Vieuxtemps, Timothy Ridout, Ke Ma | F Minor | 1 | 4A | 76 BPM | ||
Sibelius: 4 Humoresques for Violin and Orchestra, Op. 89: No. 3 in E-Flat Major | Jean Sibelius, Vilde Frang/WDR Sinfonieorchester Köln/Thomas Søndergård | E♭ Major | 0 | 5B | 95 BPM | ||
Paganini: I palpiti, Op. 13, MS 77 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 0 | 11B | 84 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 0 | 9B | 138 BPM | ||
Beethoven: 7 British Songs, WoO 158b: VI."O Mary, ye's be clad in silk" | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano, Nicolas Altstaedt, Vilde Frang | A Minor | 2 | 8A | 108 BPM | ||
Paganini variations: Variation 15 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 4 | 8A | 148 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | G Minor | 2 | 6A | 114 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Variations brillantes sur l'air de Pacini: Theme: Moderato | Heinrich Wilhelm Ernst, George Alexander Osborne, Sherban Lupu, Ian Hobson | D Major | 1 | 10B | 122 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F♯ Minor | 1 | 11A | 78 BPM |
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