Johannes Brahms, London Philharmonic Orchestra, Marin Alsop made "21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms)" available on November 18, 2005. The duration of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms) is about 3 minutes long, at 3:16. Based on our data, "21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 12 in Brahms: Symphony No. 2 / Hungarian Dances by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms) is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 in G Minor (orch. J. Brahms) by Johannes Brahms, London Philharmonic Orchestra, Marin Alsop is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Enigma Variations, Op. 36: Variation XII. Andante "B.G.N." - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM |
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