"Rappresentatione di Anima, et di Corpo: Sinfonia" by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar was released on 2001. The duration of Rappresentatione di Anima, et di Corpo: Sinfonia is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Rappresentatione di Anima, et di Corpo: Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 1 out of 100. Based on our statistics, Rappresentatione di Anima, et di Corpo: Sinfonia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo: Sinfonia by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena Casulana : Morir non può il mio core | Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli | C Major | 0 | 8B | 78 BPM | ||
Rappresentatione di Anima e di Corpo (Representation of Soul and Body): Act III Scene 9: O sinor santo e vero (All) | Emilio de' Cavalieri, Rosita Frisani, Marinella Pennicchi, Patrizia Vaccari, Alessandro Carmignani, Giovanni Pentasuglia, Michel Van Goethem, Alessandro Casari, Gian Luigi Maria Ghiringhelli, Roberto Abbondanza, Carlo Lepore, Marcello Vargetto, Gastone Sarti, Prague Philharmonic Children's Choir, San Petronio Cappella Musicale Orchestra, Sergio Vartolo | G Major | 0 | 9B | 68 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Rappresentatione di anima, et di corpo: Chi gioia vuol (Live) | Emilio de' Cavalieri, Antonio Abete, Claudio Cavina, Guiseppe Maletto, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | A Minor | 0 | 8A | 133 BPM | ||
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
"Mille Regretz" (Després) | The Hilliard Ensemble | B Major | 1 | 1B | 83 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM |
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