"Maddalena Casulana : Morir non può il mio core" by Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli was released on May 11, 1998. With Maddalena Casulana : Morir non può il mio core being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "I canti di Euterpe : Composizioni femminili (XVI - XVII secolo)" album is number 9 out of 20. Maddalena Casulana : Morir non può il mio core is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maddalena Casulana : Morir non può il mio core by Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major: I. Prelude | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 100 BPM | ||
Soubz ce tumbel | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | C Major | 0 | 8B | 116 BPM | ||
O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony) | Guillaume Dufay, Paul Van Nevel, Huelgas Ensemble | D Minor | 1 | 7A | 75 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Marionas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 0 | 8B | 150 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Altri canti d'amor | Claudio Monteverdi, Alessandro Carmignani, Paolo Costa, Marco Scavazza, Delitiæ Musicæ, Marco Longhini | D♭ Major | 2 | 3B | 120 BPM | ||
Piango, gemo, RV 675: No. 1, Andante: Piango, gemo | Antonio Vivaldi, Ero Maria Barbero, Massimo Lonardi, Maurizio Piantelli, Marco Vitali, Caterina Calvi | C Major | 1 | 8B | 104 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM |
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