"O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)" by Guillaume Dufay, Paul Van Nevel, Huelgas Ensemble was released on June 7, 2011. With this song being about 5 minutes long, at 5:08, "O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)" by Guillaume Dufay, Paul Van Nevel, Huelgas Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 13 in Dufay: O gemma lux by Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel. O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony) by Guillaume Dufay, Paul Van Nevel, Huelgas Ensemble is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
Danserye: Ronde: Il estoit une filette | Tylman Susato, Joculatores Upsalienses | F Major | 2 | 7B | 123 BPM | ||
Secular Music (1414-29): Par droit je puis bien complaindre et gemir | Guillaume Dufay, The Medieval Ensemble Of London, Peter & Timothy Davies, Peter Davies, Timothy Davies | A Major | 1 | 11B | 88 BPM | ||
Ah, alas you salt sea gods | Richard Farrant, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 96 BPM |
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