"Requiem: VI. Agnus Dei" by Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin was released on July 31, 2007. The duration of Requiem: VI. Agnus Dei is about 3 minutes long, at 3:03. Based on our data, "Requiem: VI. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Pierre de la rue: Missa "l'homme armé", Requiem". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Requiem: VI. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: VI. Agnus Dei by Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 3 | 6B | 82 BPM | ||
Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Let thy merciful ears | Unknown, Choir of Clare College, Cambridge, Timothy Brown | E Major | 0 | 12B | 72 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Psaume 37: Ne sois fasché si durant ceste vie | Centre de Musique Ancienne de Genève, Ensemble Les Eléments, Ensemble Clément Janequin | G Major | 2 | 9B | 96 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM |
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