Wolfgang Amadeus Mozart, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Il mio tesoro intanto"' came out on January 1, 2012. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 6 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Il mio tesoro intanto" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Il mio tesoro intanto" by Wolfgang Amadeus Mozart, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Rodelinda - Performance Edition by Benjamin Bayl & Paul McCreesh / Act 3: Aria: Pastorello d'un povero armento | George Frideric Handel, Rolando Villazón, Gabrieli, Paul McCreesh | E♭ Minor | 1 | 2A | 75 BPM | ||
La traviata / Act 2: "Alfredo! Voi!" | Giuseppe Verdi, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Anna Netrebko, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | D♭ Major | 1 | 3B | 108 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Marsch | Ludwig van Beethoven, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Gut, Sohnchen, gut | Ludwig van Beethoven, Christof Fischesser, Nina Stemme, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Il mio tesoro intanto" | Wolfgang Amadeus Mozart, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B♭ Major | 1 | 6B | 81 BPM | ||
La Bohème / Act 1: "Si sente meglio?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
Die Zauberflöte / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Adrianne Pieczonka, Annette Kuettenbaum, Jard van Nes, Michael Kraus, Uwe Heilmann, Clemens Bieber, Andreas Schmidt, Hans Joachim Porcher, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 113 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O wär' ich schon mit dir vereint | Ludwig van Beethoven, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 1 | 8B | 81 BPM |
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