"Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti?" by Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart was released on January 1, 2000. With this song being about 5 minutes long, at 5:01, "Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti?" by Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Donato Di Stefano's "Mozart: Le Nozze Di Figaro, ‘the Marriage Of Figaro’ (Highlights)" album is number 16 out of 23. Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? by Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 11: Finale - ... Pace, Pace, Mio Dolce Tesoro! | Donato Di Stefano, Jozsef Mukk, Patrizia Pace, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 96 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden" | Wolfgang Amadeus Mozart, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 169 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 5: Cavatina: Una voce poco fa | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | E Major | 1 | 12B | 130 BPM | ||
La bohème, Act I: "Che gelida manina" | Giacomo Puccini, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | E Major | 1 | 12B | 67 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son | Donato Di Stefano, Patrizia Pace, Roberto Frontali, Maria Pia Ionata, Hungarian State Opera Orchestra, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 1 | 5B | 100 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Leporello, ove sei?...Ah, del padre in periglio | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 1 | 7B | 177 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM |
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