"Symphony No.40 in G minor K 550 (Molto allegro)" by Uberto Pieroni was released on July 17, 2007. Since Symphony No.40 in G minor K 550 (Molto allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Uberto Pieroni's "Mozart: Suite Classic, Vol. 2" album is number 7 out of 11. In terms of popularity, Symphony No.40 in G minor K 550 (Molto allegro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.40 in G minor K 550 (Molto allegro) by Uberto Pieroni to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Klid. Piece for Cello and Orchestra | Uberto Pieroni | D♭ Major | 2 | 3B | 85 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Pio pio | Francesco Bonagura, Uberto Pieroni, Tranquillo Vergalli | F Minor | 7 | 4A | 95 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox | C Major | 1 | 8B | 82 BPM | ||
Concerto For Violin And Strings In E, Op. 8, No. 1, R.269 "La Primavera": 1. Allegro | Antonio Vivaldi, Michel Schwalbé, Eberhard Finke, Horst Gobel, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 101 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) | Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D♭ Major | 2 | 3B | 86 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM |
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