Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) - Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra Information

Acousticness: 82%
Danceability: 9%
Energy: 17%
Instrumentalness: 72%
Liveness: 7%
Loudness: 73%
Speechiness: 4%
Valence: 4%
Popularity: 21%
Loudness: -16.374 dB

Summary

"Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra)" by Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra was released on 1963. With this song being about 5 minutes long, at 4:43, "Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra)" by Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Isaac Stern's "Humoresque - Favorite Violin Encores [Expanded Edition]" album is number 9 out of 21. Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) BPM

We consider the tempo marking of Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) by Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.

Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	D♭ Major	0	3B	94 BPM
Symphony in F Major, J-C 36: III. Allegro assai	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	E Major	3	12B	126 BPM
Simple Symphony, Op. 4: Playful Pizzacato	Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford	C Major	1	8B	129 BPM
Grieg: Lyric Suite, Op. 54: II. Norwegian March	Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen	G Major	1	9B	134 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Bruno Walter, Columbia Symphony Orchestra, New York Philharmonic	E♭ Major	0	5B	83 BPM
Praeludium and Allegro	Fritz Kreisler, Joshua Bell, Paul Coker	E Minor	2	9A	103 BPM
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento	Antonín Dvořák, Chilingirian Quartet	D Minor	0	7A	87 BPM
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)	Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck	G Major	0	9B	103 BPM
A Severn Rhapsody, Op. 3	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	C Minor	0	5A	62 BPM
Violin Concerto in D Minor, Op. 56: II. Romanze: Andantino espressivo	Niels Gade, Christina Åstrand, Tampere Philharmonic Orchestra, John Storgårds	B♭ Major	1	6B	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6808209419250488

End: 0.6917808055877686