Ludwig van Beethoven, Wilhelm Kempff made "15 Variations and Fugue in E-Flat Major, Op. 35, "Eroica Variations": Variation XII." available on October 9, 2021. With 15 Variations and Fugue in E-Flat Major, Op. 35, "Eroica Variations": Variation XII. being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. In terms of popularity, 15 Variations and Fugue in E-Flat Major, Op. 35, "Eroica Variations": Variation XII. is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 15 Variations and Fugue in E-Flat Major, Op. 35, "Eroica Variations": Variation XII. by Ludwig van Beethoven, Wilhelm Kempff is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai (Cadenza Beethoven) | Wolfgang Amadeus Mozart, Ludwig van Beethoven, Hélène Grimaud, Camerata Salzburg | D Minor | 3 | 7A | 139 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM |
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