"Raymonda, Act III: Variation 4" by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov was released on January 1, 1996. The duration of Raymonda, Act III: Variation 4 is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Raymonda, Act III: Variation 4's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Kivov Orchestra, Viktor Fedotov's "Glazunov: Raymonda" album is number 27 out of 59. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Raymonda, Act III: Variation 4 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raymonda, Act III: Variation 4 by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Symphony No. 6 in C Minor, Op. 58: II. Theme and variations | Alexander Glazunov, Valeri Kuzmich Polyansky, Russian State Symphony Orchestra | G Major | 0 | 9B | 105 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Ocean Etude in C minor--Chopin | Nathan Bello | F Minor | 2 | 4A | 139 BPM |
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