Marin Marais, François Joubert-Caillet, L'Achéron's '[Suite en la majeur]: X. Fantaisie (No. 27)' came out on June 9, 2023. With [Suite en la majeur]: X. Fantaisie (No. 27) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 10 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en la majeur]: X. Fantaisie (No. 27) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of [Suite en la majeur]: X. Fantaisie (No. 27) by Marin Marais, François Joubert-Caillet, L'Achéron to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Alcione, Acte II Scène 3: "Sévère fille de Cérès" | Marin Marais, Jordi Savall, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations | D♭ Major | 2 | 3B | 68 BPM | ||
Duetto | Cristofaro Caresana, Les Basses Réunies, Bruno Cocset | F Major | 1 | 7B | 121 BPM | ||
Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio) | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | B Major | 4 | 1B | 94 BPM | ||
Trio Sonata in C Minor, BuxWV 262: I. Poco adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Trio Sonata in G Major, G01: II. Allegro Assai | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Major | 1 | 3B | 111 BPM |
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